most evocative performance of the most famous

MANILA, Philippines – A lot of biopics have either hinted or explicitly suggested that Andres Bonifacio was the “more deserving” national hero than Dr. Jose Rizal. But if there’s one film that makes a good case for such an argument, it would be the Richard Somes-helmed “Supremo.”

Like his role in the late Mario O’Hara’s “Ang Paglilitis Kay Andres Bonifacio,” actor-politician Alfred Vargas, one of the few mainstream actors in “Supremo,” has big shoes to fill in this flick. But, thanks to his glowing adulation for the hero, Alfred rose to the challenge and delivered a most evocative performance of the most famous Katipunero to date.

Out of the countless biopics done in honor of Bonifacio, “Supremo” depicts the subject as person; more human and less like an unrelatable, overly patriotic war hero. That despite his great love for the country, he has had his moments of weaknesses and doubts.

Set in old Manila circa 1800s, the film traced what lighted Andres’ fire to fight for freedom against the Spanish regime; how the Philippine version of the league of extraordinary gentlemen aka as KKK (Kataas-taasan, Kagalang-galangang Katipunan ng mga Anak ng Bayan) was formed; and even about the treachery he suffered in the hands of his own “Katipunero” brothers.

All these were showcased in sepia toned frames, underscored by breathtaking dusk and silhouette scenes set against vast meadows and rice paddies, which the old Manila was best known for.

For a biopic shot in just 15 days,  “Supremo’s” production team sure took the time to make the best of what they have. From the hefty props and costumes of the actors, to the apt locations, and the vivid fight scenes down to the music used for the scoring, everything spelled class and creativity rolled into one.

But with students as the film’s obvious target audience, perhaps it would be wise for "Supremo" to be cut shorter than it’s original two-and-a-half-hour run? More, it needs some polishing on the transition sequences. The abrupt scene changes tend to be confusing in that one isn't sure if Andres was having flashbacks or if he was in present time.

Alfred did justice to Andres’ controversial yet courageous life. But it was theater actor Nicco Manalo, the son of comedian Jose Manalo, who was a revelation in the film as he breathed so much vigor into the character of young soldier Emilio Jacinto. Unfortunately though, Macario Sakay’s (Mon Confiado) character was overshadowed by the two, probably because he wasn’t given much lines or maybe even because his wig was in disarray the entire time.

Produced and starred by Alfred Vargas, “Supremo” opens on Dec. 5 exclusively in SM Cinemas nationwide.